Eric Andersen

Copenhagen, Denmark

artist

Saturday 22nd September


e-mail

ericandersen@attgloabl.net


Eric Andersen
Photograph by Rigmor Mydtskov


Eric Andersen is one of the pioneers of InterMedia and he has for the past four decades been developing open works, works under change, arte strumentale, audience participation and communication not conditioned by traditional media or accepted technology.

In 1962 he was one of the founders of the international network Fluxus. He has made several hundreds of exhibitions and performances all around the world and published innumerable publications, one of them including a town.

His major works include: Hidden Paintings, Crying Spaces, Confession Kitchens, Lawns That Turn Towards The Sun and Artificial Stars.

In 1996 during Copenhagen, The Cultural City of Europe, he became the artistic director of the biggest InterMedia event ever presented. The event lasted three days and included helicopters, parachuters, living sheep, mountain climbers and 500 singers walking on the sea.

Eric Andersen is presented in all major collections of experimental art and has been rewarded many private and government granys. He won The Eiffel Tower Price in 1987 and received The Eckersberg Medal from The Royal Danish Academy of Fine Arts in 1997.

For the millennium he presented a 20 tonnes bronze bell, Campana degli Umori at Piazza Grande in Modena, Italy. A bell positioned in eye-level with the citizens of the town, - to create a new language of the bell. The bell hanging from a structure 6 m high was divided into 9 different shaped areas each with a different colour. All areas to be activated by clappers to produce 9 different sounds corresponding to 9 UMORI: Painful, Peaceful, Longing, In love, Pessimistic, Confused, Optimistic, Lonely and Furious.


Performance: We Will Not...

It is not a performance but an all besieging attempt to propagate the impossible. The smell of the occurrences is vital as well as other measures for unmannered and informal durations. Many, many attempts have been made, mostly in the Slavonic languages but also in Korean. For Helsinki we have chosen Urdu, which is a Turkish word for military unit. One thing is absolutely certain, you will be touched. It is not a performance but an all besieging attempt to propagate the impossible. The smell of occurrences is vital as well as other measures for unmannered and informal durations. Many, many attempts have been made, mostly in the Slavonic languages but also in Korean. We have chosen Urdu, which is a Turkish word for military unit. One thing is absolutely certain, you will be touched. It is not performance but all besieging attempt propagate the. The smell the occurrences vital as as other measures unmannered informal durations. Many attempts been made, in the languages but in Korean. Helsinki we chosen Urdu is a word for unit. One is absolutely, you will touch.

Eric Andersen, 2001